Aloha may have opened to scathing reviews and poor box office, but the latest film from writer/director Cameron Crowe did touch a nerve. It just so happened to a nerve that no one ever wants to touch. Despite being set on Hawaii, the cast is chock-full of the whitest white people in Hollywood, including Bradley Cooper, Rachel McAdams, John Krasinski and Alec Baldwin. That wouldn’t have been a problem if the only character with a distinctly Hawaiian background wasn’t played by the ludicrously pale Emma Stone. Yes, Stone was cast as a character named Allison Ng, so you can see why feathers were ruffled, especially since Hollywood already has a poor track record with racial representation in movies.
Like all of Pixar’s teaser trailers, the first preview for The Good Dinosaur is all about mood, emphasizing a distinct feeling over characters and plot. But as the title implies, it’s really all about dinosaurs. Colorful, adorable dinosaurs who, thanks to director Peter Sohn and the Pixar braintrust, aren’t wiped out by an apocalyptic asteroid 66 million years ago and live on to have all kinds of adventures. Take that, science!
In news that should surprise absolutely no one, the massive disaster movie starring Dwayne Johnson stomped all over the box office this weekend, effortlessly topping the top 10. San Andreas may not have ma
Tomorrowland may have taken the top spot at the box office in its debut weekend, but things still look awfully grim for the George Clooney sci-fi vehicle. Not only did the film open far below expectations, it faced serious competition in Pitch Perfect 2, which continued to kick aca-butt in its second weekend. And it wasn’t the only new release to under-perform, with the Poltergeist remake also falling short of early predictions. If you were a new release this weekend, things were awfully rough.
In one weekend, Pitch Perfect 2 has handily outgrossed the entire run of its predecessor, proving that you should never underestimate a sleeper hit that steadily grows an army of dedicated followers through the power of Blu-ray and DVD. Right below it, Mad Max: Fury Road opened to respectable numbers that will look disastrous to anyone who doesn’t pay attention to the details. Let’s dive in.
Acquiring Lucasfilm and Marvel were just two minor steps in Disney’s grand plan to eventually own everything you love and control your life as Entertainment Overlord Supreme of the Planet Earth. But to be fair, they are a benevolent god. A caring god. A god that wants to make its riches available to you, should you want to indulge yourself. So prepare thyself: TV channels based entire on Marvel and Star Wars content may be coming.
As expected, Avengers: Age of Ultron dominated the box office for the second weekend in a row, pulling in numbers that would be the envy of most summer blockbusters’ opening three days. And while the only new release of the week faltered, it was a surprisingly strong week overall, with many of the films in the top 10 faring well despite facing one of the biggest movies of the year.
There’s a bizarre narrative floating around the internet: Avengers: Age of Ultron is already a disappointment because it didn’t open higher than The Avengers in its first weekend. This seems to be ignoring the fact that The Avengers had the biggest opening of all time and Avengers: Age of Ultron now has the second biggest opening of all time, which is nothing to scoff at. Sure, the sequel may not match the numbers of the first movie in the end, but it’s already well on the way to becoming one of the biggest movies of the year. And of all time.
For the third week in a row, Furious 7 took the top spot at the box office and made it look easy. Not even a trio of newcomers could slow down the latest entry in the crowd-pleasing action series, which has become the fastest film to reach $1 billion worldwide. On the domestic box office, it’s equally impressive. It’s a juggernaut. A cultural event. At the end of the day, Paul Blart: Mall Cop 2 may make some money, but it’s making that money in the shadow of a genuine phenomenon.
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